klirrbar

KLIRRBAR PAUSE BIS FEB 2011

2012-01-06T01:45:00.000-08:00

KLIRRBAR PAUSE BIS FEB 2011

a few videos of years past

M/W Prinzip

2012-01-06T01:44:00.000-08:00

Sehr geehrte Damen und Herren,

hiermit lade ich Sie zur ersten Ausstellungseröffnung in der neuen PHALANX-GALERIE
in Hamburg ein!

Zum Auftakt stellen sich drei Jungkünstler einem dauerhaft aktuellen Thema.

Wir freuen uns auf zahlreiche Besucher!

Beste Grüße,

Ihre
Stefanie Katja Ernst

+ - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + -

M/W Prinzip

Werke von

Stefanie Katja Ernst
Achim Schauffele
Matthias Tedjasumana

Eröffnung:

Freitag, 13.1.2012 um 18 Uhr

Ausstellung:

14.1. - 27.1.2012

Öffnungszeiten:
Freitag, Samstag und Sonntag 16-18 Uhr
und nach Vereinbarung.

Phalanx-Galerie
Schulterblatt 112
20357 Hamburg
+49 (0)172-6926700
ernst@ama-gallery.de
www.ama-gallery.de

„M/W Prinzip“

Parallel zu gegenwärtigen Gender-Diskursen setzt sich die aktuelle Ausstellung von 3
Hamburger Künstlern mit der esoterischen Trennung “männliches Prinzip - weibliches
Prinzip” als ewige Schöpfungskraft und dem romantischen Frauenbild auf
unterschiedliche Weise auseinander:

Stefanie Katja Ernsts (*1979) malerisches und audioperformatives Werk thematisiert
im Sinne des "iconic turn" Gewalt und weibliche Opfer- und Täterrollen in der
konsumorientierten modernen Welt. Zurzeit absolviert sie ihr Studium als
Meisterschülerin an der HFBK Hamburg.

Achim Schauffeles (*1976) großformatige, collagierte Papierarbeiten sind düstere
Selbstspiegelungen, in denen sich männliche und weibliche Anteile gegenseitig
verschlingen und auslöschen. Achim Schauffele studierte Freie Kunst in Offenbach.

Matthias Tedjasukmanas (*1976) erweiterte Ölmalerei reflektiert seine Umwelt durch
massenmediale Bilder, die in misogynen, prä-expressionistischen Genre-Darstellungen
re-mystifiziert werden. Matthias Tedjasukmana studierte Kunst in Offenbach und an
der HFBK Hamburg.

Die Ausstellung wird ermöglicht und unterstützt durch die HomeCompany Hamburg
Immobilien GmbH.

WHITE NOISE CHRISTMAS 09.12.2011

2011-12-06T12:18:00.000-08:00

Freitag ab 21:00 Uhr: Klirrbar!

Traditionen, die das Fest noch festlicher machen: Z.B. Weihnachtslärmorgien in der Klirrbar: Es erwarten uns Liveperformances von CIRCUIT NOISE und SUSPISCION BREEDS CONFIDENCE !!!

Für die passende unchristliche Musik danach sorgt wieder …mal das bewährte wie beliebte EIN BETT IM MINENFELD-DJ Team: worst hits of Industrial, Noise, Military Pop, Power Electronics, Neofolk, Metal, Techno, Elektro, 80’s, 90’s, 20?er Schlager, J-Pirate-Songs.

Christkind inklusive und Ohrenklingeln garantiert!

11.11.2011

2011-10-23T13:04:00.000-07:00

KLIRRBAR 111111

CENTROZOON
http://www.centrozoon.de/

Fire 4 from centrozoon on Vimeo.

MORE TO BE ANNOUNCED!

111111 OCCUPY THE WORLD, OCCUPY THE WAGGON , OCCUPY KLIRRBAR!!!!!!111111

Friday, October 14

2011-08-26T06:58:00.000-07:00

An Evening of Industrial-Noise and Power Electronics featuring:

Praying For Oblivion
Educator
Abschnitt_55
Ein Bett im Minenfeld

Industria Masoquista (Equador) canceled due to visa problems.

Praying For Oblivion

GOTTES SEGEN ,Heute uns Morgen du

2100
Waggon Offenbach

waggon.blogsport.de

KURATOR IST ANWESEND

KLIRRBAR Sep 9th

2011-08-26T06:57:00.000-07:00

KLIRRBAR

Sep 9th

Lauren Rodz (F)

Ein Bett im Minenfeld

21:00 Waggon Offenbach

Gast-Kurator ist anwesend.

//////////////////
Laurent Rodriguez : improvised audio visual performance
manipulation of rickety devices, imaginary operations peeking under the veil of daily things ...

<< Interweaving sound, movement and image in unexpected ways, Laurent Rodriguez presents the audience with absurd and dada-esque performances, enacted with beauty, humour, and poetic evanescence.
With a range of influences going from experimental cinema to fluxus performance, to pull disparate ideas into new forms of interactive media,
striking a peculiar balance between deconstructionist abstraction and primordial weirdness.>> ( notice by Cal Lyal )

http://soundcloud.com/laurenrodz
https://www.facebook.com/video/video.php?v=10150355970473833
//////////////////

July 8th 2011

2011-07-03T14:55:00.001-07:00

July 8th 2011

Live on stage: "kybernaughty" - Eine tonale Exkursion in die Darmflora. Peristaltische Beats treffen auf unverdauten Noise.

http://www.myspace.com/kybernaughty
http://www.kunstscheisse.net/kybernaut

DJ Collective Ed Gein's Fridge presents:
"A Home Cooking Show - Hold on to Your Body Parts"

Industrial - Punk - Noise - Shitgaze - Psychobilly - Electronics - Weird Stuff

DJs Scrotum - Sphenoid Sphincter - Fatback

There is no entry but we will beg for money on our hands and knees
We recomend a 5 euro donation or that you consume 10 beers within 3 hours and then go home without bothering us, thanks.

GOTTES SEGEN ,Heute uns Morgen du

2100
Waggon Offenbach

waggon.blogsport.de

KURATOR IST NICHT ANWESEND

JUNE 10th & JULY 8th KILRRBAR

2011-05-16T08:10:00.000-07:00

B°TONG

Chris Sigdell is an experimental electronic musician. He developed a soft spot for early industrial textures and pioneering ambient soundscapes while cutting his teeth in cult industrial band NID (1995-2005). A mysterious and shadowy figure he has ended up assembling sounds of such chilling creepiness that it makes Aphex Twin’s Selected Ambient Works Vol. 2 sound like a collection of sugar-coated lullabies. The sound of B°TONG feels a lot like an agonizingly slow crawl through a dark tunnel where the dim light at the other end never gets closer.

B°TONG builds an interesting body of work that moves in various directions at the same time. From dealings with ambient and isolationism on one hand and experimental music, ranging from the soft microsound end to the more engaging noise end, in a clever combination of ideas…

Since 2005 he’s played more than 100 concerts all over Europe and North America and appeared at electronic and industrial festivals such as: Ausklang (Hamburg), Sinus Series (Basel) , Shift (Basel), and Lab 30 (Augsburg). He’s released 10 albums on labels like: Verato Project (DE), Noecho Records (UK) Gears Of Sand (USA).

For more information visit: www.myspace.com/btongmusic.

´Hering und seine sieben Sachen canceled :( maybe another time.

BUCKETTOVSISSORS

"a blown-out, futuristic urban landscape. Whatever Goodman is using to create his sounds: synths, field recordings, turntables, one can only speculate, but what he achieves in this music is really interesting, a world of machines in control, listened to in a certain frame even the titles then could be said to be satirical through those eyes. "The Enlightened Man" has finally "found himself" at a time where he can do least in response to his enlightenment, therefore it's still a world of alienation, helplessness, slavery-and that is exactly how this music sounds. Excellent metaphorical noise!"

Ein Bett im Minenfeld
play EXPLOSIVE hits of industrial,noise,black metal, ebm, techno, power electronics,80s,90s......

There is no entry but we will beg for money on our hands and knees
We recomend a 5 euro donation or that you consume 10 beers within 3 hours and then go home without bothering us, thanks.

GOTTES SEGEN ,Heute uns Morgen du

10.06.2010
2100
Waggon Offenbach

waggon.blogsport.de

KURATOR IST ANWESEND

July 8th 2011

Live on stage: "kybernaughty" - Eine tonale Exkursion in die Darmflora. Peristaltische Beats treffen auf unverdauten Noise.

http://www.myspace.com/kybernaughty
http://www.kunstscheisse.net/kybernaut

DJ Collective Ed Gein's Fridge presents:
"A Home Cooking Show - Hold on to Your Body Parts"

Industrial - Punk - Noise - Shitgaze - Psychobilly - Electronics - Weird Stuff

DJs Scrotum - Sphenoid Sphincter - Fatback

There is no entry but we will beg for money on our hands and knees
We recomend a 5 euro donation or that you consume 10 beers within 3 hours and then go home without bothering us, thanks.

GOTTES SEGEN ,Heute uns Morgen du

08.07.2011
2100
Waggon Offenbach

waggon.blogsport.de

KURATOR IST NICHT ANWESEND

KLIRRBAR

2011-05-16T08:04:00.000-07:00

From last KLIRRBAR
Suspicion Breeds Confidence - Live at Klirrbar 13 May MMXI by Acrylnimbus

Enjoy and feel free to download.

KLIRRBAR Friday, May 13 at 9:00pm

2011-04-19T15:55:00.000-07:00

DJ STINKHEAD w/ MC Butter
breakcore,speedcore,SDM(stupid dance music) via sp-202 worship
MC Butter the baddest bestest gangsta spittin next level ass movin extreme master of destruction and total domination.

Ein Bett im Minenfeld
play the worst hits of industrial,noise,black metal, ebm, techno, power electronics,80s,90s......

DJ Poor Art Student
From minimal techno to 90s death metal, NO PRISONERS!

21:00 @ Waggon Offenbach

Direkt am Offenbach Mainufer
sbahn OF marktplatz

waggon.blogsport.de

Kurator ist anwesend

KLIRRBAR 11.03.2010

2011-02-22T14:09:00.000-08:00

CIRCUITNOISE
Circutinoise is a random fluctuation in an electrical signal, a characteristic of all electronic circuits. Noise generated by electronic devices varies greatly, as it can be produced by several different effects. Thermal and shot noise are unavoidable and due to the laws of nature, rather than to the device exhibiting them, while other types depend mostly on manufacturing quality and semiconductor defects.

The aim of the Circuitnoise project is to discover the vast field of random noises through electronic devices. Nothing more nothing less...
CIRCUITNOISE

PARRABOT
The legend is back.............

DJs
Ein Bett im Minenfeld
DJ Poor Art Student

WHITE NOISE CHRISTMAS

2010-11-18T23:54:00.001-08:00

2010-09-17T14:46:00.000-07:00

2010-09-17T14:28:00.000-07:00

after

MISANTHROPY LOUNGE
djs play the worst hits of: noise,techno,punk,power elecronics,industrial,ebm, metal, schlager.....

***********************************
VVK 10euro AK 12euro
first 30 tickets in special package

***********************************

http://bakurita.blogspot.com/
http://www.myspace.com/OxIx
http://antropofagoateo.blogspot.com/
http://forcedbloom.com/unexamine.mp3
http://monolithische-aktion.com/
http://www.myspace.com/diereitendenleichen
http://www.myspace.com/tarsus42
http://www.realicide.com

HARSH NOISE,HARSH NOISE WALLS,POWER DRONE, MINIMAL

TO ORDER TICKETS EMAIL:
BUCKETTOVSISSORS -AT- WIDERSTAND-DOT-ORG

The Rita, a sound art project by Sam McKinlay, practices in the media arts audio genre termed as ‘harsh noise’. The Rita’s first recorded document was released in 1996 and has participated in live audio performances since 2002. Many of McKinlay’s international audio CD, LP, cassettes, and live performances are also under his sound art moniker The Rita. The genre of ‘harsh noise’ is a part of the world of academic experimental sound and performance with the use of various live and pre- recorded analog sources, distortion pedals, large amplifiers, and sometimes visuals. The Rita’s live audio sets are characterized as being very loud, abrasive, textural, dynamic, and visceral as the live shows and recorded documents are powerful examples of the possibilities of abstracted sound and its effect on the listeners.
The investigatory audio academia of the deconstruction of sound in the works of other
artists of the past century such as The Futurists, Philip Corner, LaMonte Young, Zbigniew
Karkowski, Bernhard Gunter, and the Scott Konzelmann’s project Chop Shop play a critical role
in the establishment of the textural and abrasive audio documents and performances of ‘harsh
noise’ into the late 1970s, '80s and '90s. Post 70s legendary international sound art artists like
Pierpaolo Zoppo / Mauthausen Orchestra, Masami Akita / Merzbow, Jojo Hiroshige /
Hijokaidan, GX Jupitter-Larsen / The Haters, and Toshiji Mikawa / Incapacitants took form with
an acute knowledge of the past academic sound art techniques and ideologies. Via the intense
academic study of past and contemporary sound artist’s works, Sam McKinlay’s harsh noise project The Rita also explores the tangible documents of historical sound works in respect to the parallels of sculpture, installation, and landscape works; all the while keeping the analog media arts studies directed at his personal creativity in the audio genre and the directed textural sound studies.
Practically all through McKinlay’s past years in University, he was heavily interested in minimalist painting that evolved into floor works, landscape pieces, and eventually concept based textual and photographic interpretations of areas and space. McKinlay was and still is heavily influenced by visual artists the likes of Ad Reinhardt, Richard Serra, Barnett Newman, Ellsworth Kelly, Richard Long, George Trakas, and Kasimir Malevich. He found these days at University very important to his sound work as it gave him an intense look into the themes of installation, landscape, and painting, but paralleled with audio textures, tonal structures, and dramatic movements from sheets of shifting audio. McKinlay also have a keen interest in studying the visual and historical details of the Canadian landscape paintings of the 1800s and how they can translate into sound works via the parallels of balance, texture, dynamism, and themes of the sublime; one example being the works of painter Cornelius Kreighoff paralleled with the contemporary sound works of Toshiji Mikawa / The Incapacitants. In The Rita works, McKinlay focus on recognizing spatial areas, installation, and performance, all culminating into sound works that further exemplify the minimalist and deconstructed ideologies that he has been participating in during his career of international audio documents and live performances.
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Established in 2001, Oscillating Innards is a sound art project of Gordon Ashworth (of Portland, Oregon USA). Developed through influence and experience in the experimental noise, musique concrete and collage-based areas of sound art, Oscillating Innards has released over forty international audio documents and has performed live nearly one hundred times.

Since first touring in 2004, Gordon Ashworth has taken a very direct, unpretentious and vigorous approach to audio performance and interaction. Often performing in a different city every night for several weeks at a time, Ashworth has performed in over 80 cities in 20 countries. These performances have been in a myriad of venues, including massive warehouses, art galleries, museums, cafes, record stores, jazz clubs, punk squats, and generator-powered guerilla venues.

The dynamic live sets of Oscillating Innards consist of visceral electro-acoustic noise, textural collages of tape manipulation, and overwhelmingly cathartic vocal and physical presence. Performances and audio documents have often used acoustic objects in unusual but highly effective manners, i.e. an entire car door and bumper, a metal file cabinet, a boat propeller, a prepared piano, a power drill and broken cymbals. Use of such objects lends to a form a physical, concrete parallel to the aural impressionism.

Musically, Oscillating Innards strives to be a unique and progressive project that combines elements of analogue electronics, nonmusical objects, prepared instruments, tape manipulation, field recordings and voice. The results are carefully structured and tense compositions, expressed in classical-like movements of recurring tonal themes and violent revelations, supplemented by metaphorical, narrative lyrics. The 2008 album "Nadir Emergence" has been described as "a testament to the importance of subtle moments" (Blood Ties) and the "Grey Variables" LP as "a circumspect composition of laying heavy assaults from physical strength and depressive electronics" (Kotomi Kuroda). His album “Rendition of Hell” will be released in late 2010, following a lengthy tour of several cities in Japan, Europe and the United States.

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UNEXAMINE is the harsh noise project of Charlie Mumma focusing on minimalism,
distortion pedal worship and occasional screamed vocals. Themes currently
revolve around the distance between revolutionary militancy and bourgeois
sentimentality. Early executions are explorations of the 1917 Russian
Revolution based books Doctor Zhivago by Boris Pasternak, Ten Days That Shook
The World by John Reed and Out Of The Night by Jan Valtin. He currently plays
drums in Knelt Rote and Vile Horrendous Aerial Bombardment and has been in
Sissy Spacek, Skin Culture, Sleetmute Nightmute and Splatterhouse. "